The Wall Street International magazine has published an overview of Matthew Pillsbury's new Tokyo series and new exhibition.

The Brooklyn Rail has published a review of our summer group show Tà Hierá titled A Human Kind of Holiness:

"tà hierá does more than document the vulnerabilities and longings of others—it also challenges us to contend with the same inconsolable emotion by presenting works that demand a narrative but offer none. In a series by Jed Devine, religious objects set in central focus—a bible, a skull, an organ—are severed from context, often set against a blurred or darkened background. The unnatural solitude into which these familiar objects have been cast creates an almost oppressive need to salvage their significance."

Josef Joflehner Turquoise Stream Jiuzhaigou China

Josef Hoflehner has recently been voted one of Austria’s 10 Best Artists by Culture Trip Blog.

Richard Renaldi in Vice Magazine 2014 Photo Issue

Vice Magazine's annual photo issue for 2014 features images by Richard Renaldi.

See the images and read a short interview:

Jeffrey Milstein Swiss Airbus Fox News

Fox News' Good Day Art Gallery spoke with Jeffrey Milstein this week on Fox New York TV.
Watch the whole interview:

Matthew Pillsbury Funkytown

The New York Times Magazine has published an article titled Destination: Tokyo which features a selection of new images by Matthew Pillsbury.

Paolo Pellegrin

The Milwaukee Art Museum is hosting the exhibition Postcards from America: Milwaukee on view from July 10 to October 19, 2014. Featured alongside Pellegrin are ten other Magnum photographers including: Bruce Gilden, Jim Goldberg, Susan Meiselas, Martin Parr, Mark Power, Alessandra Sanguinetti, Jacob Aue Sobol, Alec Soth, Zoe Strauss, and Donovan Wylie.

Photograph Magazine has published a review of Doug Hall's current exhibition at the gallery Bodies in Space:

"Across the images in Bodies in Space, people look but don't see, they're present but they're not fully there, and they inhabit a reality that seems not quite real. With a flat background and an artificially lit foreground, portraits of a "weekend cowgirl" in Stagecoach, Nevada, and a man in traditional garb at Monument Valley look like the vintage snapshots of a novelty photo studio. Places, through Hall's lens, have a similarly disorienting artificiality: in Gene Autry Rock, the scene has the appearance of a painted backdrop at a museum or zoo."