Leaning Out
January 25 - March 17, 2018

Jeffrey Milstein Leaning Out


January 25 - March 17, 2018
Opening Reception: Thursday, January 25, 2018   6-8pm
The advent of aerial photography has changed the way people see their world more than any other development since Eadweard Muybridge’s seminal images of moving animals in the second half of the nineteenth century. The impact is immediately visible in Leaning Out, the new solo show by Jeffrey Milstein at Benrubi Gallery, his second at the gallery. Milstein’s overhead images of ports, train yards, airports, parking lots, and cityscapes, shot from small planes and helicopters, reveal harmonious symmetries invisible during daily life, yet are still somehow familiar. It’s as if we’ve seen these views before, or constructed them with an idea of what they would look like from 2,000 feet above the ground. 
The geometric mosaics in many images jump out immediately, with shipping containers, train cars, and automobiles slotted together in checkered patterns like gigantic tesserae. Milstein’s bird’s-eye view flattens three dimensions to two and his shutter shrinks several square miles down to the size of a tapestry. The signs of use disappear, the wear and tear, the small distinguishing details, leaving behind bold blocks of color that could as easily be a child’s stacked toys as a massive freight yard or automobile dealership. Ground is transformed to wall, and the underlying (literally) and surprisingly playful pictorial aesthetic that determined the arrangement is revealed.

One can almost lose sight of the fact that these are also industrial images—of transit rather than manufacturing, dissemination rather than creation. The ordered patterns, undulating over topographical variations, initially supersede one’s sense of activity, but gradually it returns in a familiar and ultimately calming, or reassuring, manner. The images suggest that however chaotic or inscrutable modern life might appear, it is the product of age-old patterns that move us in ways we may not consciously perceive, but which nevertheless guide us through our daily routines.
Jeffrey Milstein (b. 1944, Los Angeles, CA) received his BA in architecture from UC Berkeley in 1968 before turning to photography. Milstein has exhibited and collected throughout the United States and Europe, including the Ulrich Museum of Art (2008), the Smithsonian National Air and Space Museum (2012). Noted British photographer and critic, Martin Parr included his photographs in his curated showNew Typologies. He has been published in numerous newspapers, magazines, and other periodicals, including New York Times, LA Times, Harper's, GQ, Esquire, Fortune, Time, the Los Angeles Times, the San Francisco Chronicle, and Wired. His work can be seen at LACMA in Los Angeles, CA, the Smithsonian Museum in Washington, DC, George Eastman House in Rochester, NY and the Akron Art Museum in Akron, OH. 

Woodstock, NY-based Jeffrey Milstein was born in Los Angeles and received his BA in architecture from UC Berkeley IN 1968 before turning to photography. Milstein’s passion for flight led to his most famous series of images of aircraft taken just before they land, when the plane is perpendicular to the camera’s frame. Using archival pigment print and processing techniques that isolate the aircraft in the image, Milstein focuses on color and design to achieve maximum clarity in his images, which the Smithsonian National Air and Space Museum mounted in a solo exhibition entitled AirCraft: The Jet as Art in 2011.
Milstein also reverses the focus in such series as Flying Over New York, Flying Over LA, and Flying Over Container Ports to create panoramic images of images that are by turns iconic and emblematic of the modern world, which his images of Cuba and India are more intimate, though equally as vibrant in their treatment of color and composition.
Milstein’s work has been published in numerous newspapers, magazines, and other periodicals, including CNN Money, the Daily Mail, Elle Décor, Esquire, Fortune, Time, the Los Angeles Times, the San Francisco Chronicle, and Wired. His work can be seen at LACMA, the Smithsonian Museum, Washington, DC, the George Eastman House, and the Akron Art Museum.

Artist C.V.